Canon EOS Lens 17-55mm f/2.8 EF-S IS USM
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| Quickfind Code: | 1242B005AA |
Canon EOS Lens 17-55mm f/2.8 EF-S IS USM, Image Stabilized wide angle EF-S 17-55mm f/2.8 IS USM. With image quality and construction approaching that of Canon’s renowned professional lenses, the EF-S 17-55mm f/2.8 IS USM becomes the fastest standard focal length zoom for EF–S mount cameras such as the new EOS 30D. Combining constant f/2.8 aperture throughout the zoom range with Canon’s latest 3-stop Image Stabilizer, it delivers outstanding wide angle performance and framing flexibility in low light conditions. Read more »
Bundles for Canon EOS Lens 17-55mm f/2.8 EF-S IS USM
Accessories for Canon EOS Lens 17-55mm f/2.8 EF-S IS USM
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Hoya 77mm SHMC Pro-1 Digital Circular Polarising Filter, specifically designed for digital cameras with multi coatings and black rimmed and low profile construction. A cirular polarisor reduces reflections on glass and water and increases contrast in the skies.£126.00
(inc. VAT)
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Hoya 77mm SHMC Pro-1 Digital Neutral Density 4 Filter, specifically designed for digital cameras with multi coatings and black rimmed and low profile construction. A neutral density helps lower the amount of light entering the lens so wider apertures can be selected to reduce depth of field.£74.50
(inc. VAT)
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Hoya 77mm SHMC Pro1 Digital Neutral Density 8 Filter, specifically designed for digital cameras with multi coatings and black rimmed and low profile construction. A neutral density helps lower the amount of light entering the lens so wider apertures can be selected to reduce depth of field.£74.50
(inc. VAT)
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Hoya 77mm SHMC Pro1 Digital Protective Filter, specifically designed for digital cameras with multi coatings and black rimmed and low profile construction. A protective filter is clear and protects from dirt, dust and scrapes.£42.50
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Hoya 77mm SHMC Pro1 Digital Protective Filter, specifically designed for digital cameras with multi coatings and black rimmed and low profile construction. A UV filter protects and filters out haze.£49.50
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MRC (Multi-Resistant Coating) by B+W is not only an extraordinarily effective multiple layer coating, it is also harder than glass, so that it protects filters from scratches (for instance when cleaning the filters), and it is also water and dirt repellent, thus facilitating filter maintenance.£71.99
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77E CLEAR UV HAZE (010) - The UV filter UV 010 blocks ultraviolet radiation which can cause blur or – in color shots – blueness. It is ideal for photos in the mountains, by the sea or in areas with very clear air. Pictures become more brilliant, irritating blue haze is avoided and color reproduction remains neutral. This UV filter is also suitable for use as front lens protection.£43.99
(inc. VAT)
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77E SLIM CLEAR UV HAZE (010) - The UV filter UV 010 blocks ultraviolet radiation which can cause blur or – in color shots – blueness. It is ideal for photos in the mountains, by the sea or in areas with very clear air. Pictures become more brilliant, irritating blue haze is avoided and color reproduction remains neutral. This UV filter is also suitable for use as front lens protection.£76.99
(inc. VAT)
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77E CLEAR UV HAZE MRC (010M) - The UV filter UV 010 blocks ultraviolet radiation which can cause blur or – in color shots – blueness. It is ideal for photos in the mountains, by the sea or in areas with very clear air. Pictures become more brilliant, irritating blue haze is avoided and color reproduction remains neutral. This UV filter is also suitable for use as front lens protection.£55.99
(inc. VAT)
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77E SLIM UV HAZE MRC (010M) - The UV filter UV 010 blocks ultraviolet radiation which can cause blur or – in color shots – blueness. It is ideal for photos in the mountains, by the sea or in areas with very clear air. Pictures become more brilliant, irritating blue haze is avoided and color reproduction remains neutral. This UV filter is also suitable for use as front lens protection.£61.99
(inc. VAT)
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77E KR-1.5 (SKYLIGHT) - The Skylight Filter KR 1.5 also blocks UV radiation and has a delicate, reddish yellow shade to counter the high blue portion in shadow caused by the sky’s light in color transparencies with a warmer picture hue.£43.99
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77E SLIM KR-1.5 (SKYLIGHT) - The Skylight Filter KR 1.5 also blocks UV radiation and has a delicate, reddish yellow shade to counter the high blue portion in shadow caused by the sky’s light in color transparencies with a warmer picture hue. Slim mount.£76.99
(inc. VAT)
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77E KR-1.5M MRC (SKYLIGHT) - The Skylight Filter KR 1.5 also blocks UV radiation and has a delicate, reddish yellow shade to counter the high blue portion in shadow caused by the sky’s light in color transparencies with a warmer picture hue.£54.99
(inc. VAT)
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77E SLIM KR-1.5 MRC (SKYLIGHT) - The Skylight Filter KR 1.5 also blocks UV radiation and has a delicate, reddish yellow shade to counter the high blue portion in shadow caused by the sky’s light in color transparencies with a warmer picture hue.£61.99
(inc. VAT)
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77E INFRARED CUT FILTER (486) - UV/IR blocking filter 486, a steep-flanked interference filter which additionally blocks infrared and prevents blur and color cast with IR-sensitive CCDs recommended product for digital cameras.£134.99
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77E YELLOW ORANGE (040) - the yellow-orange filter 040 is very popular for nude outdoor shots because it renders the skin-tone brighter against the darker vegetation for better contours.£54.99
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77E LIGHT RED (090) - This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically and clouds become more impressive.£54.99
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77E MEDIUM YELLOW MRC (022M) - With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramatic.£77.99
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77E YELLOW GREEN MRC (060M) - This filter has an effect similar to that of the medium yellow filter, but it also darkens red colors. Clouds in the sky gain more contrast, a red roof and red flowers are rendered darker in relation to plant greens (as they would not with a purely yellow filter).£77.99
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77E DARK RED MRC (091M) - Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transparency only begins in the orange-red region. It produces dramatic effects and extreme tonal separation for graphic effects. That accounts for the large filter factor of appr. 8.£93.99
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77E ENHANCING FILTER (491) - The B+W Redhancer is a filter with very special transmission properties to amplify the red color portions of orange, red or brown motifs and is frequently used in nature shots or landscape photography. It is particularly effective in connection with a polarization filter to eliminate the bluish gray haze and to increase color saturation.£80.99
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77E CIRCULAR POLARIZER - Highly efficient standard circular polarizing filter for all cameras with beam splitters in the light paths of their TTL exposure meter and with auto focus lenses. Circular polarization has the same pictorial effect as linear polarization, but allows for proper exposure metering and/or auto focus distance settings.£89.99
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77E SLIM CIRCULAR POLARIZER - Highly efficient standard circular polarizing filter for all cameras with beam splitters in the light paths of their TTL exposure meter and with autofocus lenses.£83.99
(inc. VAT)
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77E CIRCULAR POLARIZER MRC - Highly efficient standard circular polarizing filter for all cameras with beam splitters in the light paths of their TTL exposure meter and with auto focus lenses. Circular polarization has the same pictorial effect as linear polarization, but allows for proper exposure metering and/or auto focus distance settings.£130.99
(inc. VAT)
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77E SLIM CIRCULAR-POL MRC - Highly efficient standard circular polarizing filter for all cameras with beam splitters in the light paths of their TTL exposure meter and with autofocus lenses. Circular polarization has the same pictorial effect as linear polarization, but allows for proper exposure metering and/or autofocus distance settings.£182.99
(inc. VAT)
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77E INFRARED DARK RED (092) - The B+W filter 092 is the most popular filter for IR black and white photos. It is black and only purple against light sources. It provides an infrared image with a red portion for the better utilization of the low sensitivity of infrared films.£134.99
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77E INFRARED BLACK (093) - Infrared filters transmit IR radiation, but block visible light either completely or largely. The black B+W infrared filter 093 allows pure IR photos in scientific or technical applications (e. g. material research, forensic investigation, criminology).£134.99
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77E GRADUATED ND 0.3-2X (501) - The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of the subject by one f-stop without altering its colors. For example, when the sky is too bright in relation to the landscape, this is an ideal amount for good detail rendition in the clouds and for preventing the sky from being “washed out” by over-exposure.£70.99
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77E GRADUATED ND 0.6-4X (502) - Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the incoming light), this graduated filter already produces quite dramatic effects. Because of the increased difference in brightness, it is even more important for the horizon line not to be positioned too far from the center of the image.£70.99
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77E ND 0.3-2X (101) - The lightest B+W Neutral Density Filter attenuates the light by one f-stop (log density 0.3), which can be beneficial, for instance, for the correct exposure of high-speed films when the brightness of the subject is still too high for the fastest shutter speed and the smallest aperture.£54.99
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77E ND 0.6-4X (102) - This B+W Neutral Density Filter reduces the light by two f-stops (log density 0.6), and it is the most popular ND filter in photographic work. It offers many benefits, for instance f/4 instead of f/8 for selective sharpness instead of a great depth of field, or 1/15 s instead of 1/60 s for a flowing instead of a “frozen” waterfall.£54.99
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77E ND 0.9-8X (103) - This B+W Neutral Density Filter reduces the light intensity by three f-stops (log density 0.9). It still features very good color neutrality. This ND filter is especially appropriate for use on video cameras when the lens cannot be stopped down sufficiently in great brightness or when a deliberately low depth of field is desired. The filter factor is 8x.£54.99
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77E ND 1.8-64X (106) - This B+W Neutral Density Filter reduces the light by six f-stops. With this filter and without changing the f-stop, a shutter speed of 1/60 s is changed to a full second, thus requiring the use of a tripod. Flowing water is rendered as flowing in the photo, and people moving in streets are dissolved in unsharpness or become invisible.£54.99
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77E ND 3.0-1000X (110) - With a light intensity reduction of ten f-stops, this B+W Neutral Density Filter has a slightly stronger warm tone than the ND 106. Its principal field of application is the observation and documentation of industrial processes with extreme brightness, such as steel furnaces, incinerators, glowing filaments in halogen- and other bulbs. The filter factor is 1000x.£54.99
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77E ND 0.6-4X MRC (102M) - This B+W Neutral Density Filter reduces the light by two f-stops (log density 0.6), and it is the most popular ND filter in photographic work. It offers many benefits, for instance f/4 instead of f/8 for selective sharpness instead of a great depth of field, or 1/15 s instead of 1/60 s for a flowing instead of a “frozen” waterfall.£85.99
(inc. VAT)
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77E 81-B MRC (81B) - This B+W conversion filter is also similar in effect to a Kodak Wratten filter and its strength of 27 Mired makes it comparable to the KR 3 conversion filter. Like the 81A it is recommended for color films that have an inherent reddish tone. This filter is popular as it leads to very pleasing skin tones in portraits.£75.99
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Sigma lens cleaning cloth, 31 x 31 cm in size and machine washable.£2.99
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Within Delkin's SensorScope System is the DigitalDuster kit. You can purchase this kit separate from SensorScope and it includes a three part cleaning system: SensorVac, SensorWands, and SensorSolution to effectively and safely clean your digital SLR image sensor£44.99
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The DigitalDuster Refill Kit provides you with everything you need to continue cleaning your digital SLR sensor safely and effectively. Includes sensor safe wand and solution£24.99
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SensorScope enables you to check your sensor to see if it needs cleaning-there's nothing safer than not cleaning your sensor. The SensorScope looks like a camera lens; however, it allows you to look back into your camera to inspect your sensor£89.99
(inc. VAT)
Description for Canon EOS Lens 17-55mm f/2.8 EF-S IS USM
Description
EF-S mount
The lens fits exclusively on those EOS cameras with an EF–S lens mount – the new EOS 30D, EOS 350D, and earlier EOS 20D and 300D models. (see appendix ‘Technologies Explained for further information on the EF–S mount). The 1.6x multiplication effect of these cameras’ APS-C size sensor gives the lens an effective focal length of approximately 27-88mm.
Image quality
To improve image clarity over the total image area, two Ultra-Low Dispersion glass (UD) elements are employed to eliminate secondary chromatic aberrations that otherwise reduce sharpness and introduce colour fringing. To ensure crisp, high contrast from one corner of the frame to the other, two aspherical lens elements have been introduced to avoid spherical aberrations that can soften images, especially at wider apertures. In combination with digital EOS CMOS sensor and DIGIC II image processor technologies, the EF-S 17-55mm f/2.8 IS USM delivers image quality surpassing that required for many commercial applications.
Fixed f/2.8 from 17 - 55mm
Superb optical quality with no change in aperture over the full focal length range allows photographers to set exposure at the widest aperture and concentrate on framing, without concern for adjusting shutter speed at longer focal lengths. The lens employs an almost perfectly circular barrel aperture, helping create attractive, even background blur.
Image Stabilizer
The lens features Canon’s latest 3-stop Image Stabilizer (IS) for dramatically reduced image blur caused by camera shake. IS significantly extends scope for shooting in low light conditions without flash, or for gaining depth of field. The 3-stop advantage allows a photographer shooting in low light to use a shutter speed of just 1/15 sec instead of 1/125, with no perceptible increase in image blur.
IS automatically detects when the camera is mounted on a tripod, thus preventing feedback loops between the IS sensor and stabilizer motor vibrations.
(See more information on Image Stabilizer, see appendix ‘Technologies Explained’).
Fast, silent auto-focus
The lens’ USM motor employs ultrasonic frequency vibrations to drive auto focus with speed and near-silent operation. The constant torque motor moves the focus group at high speed, stopping with precision, accuracy and without overshoot the instant the lens arrives at the correct focus point. Photographers can switch to manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of auto focus mode.
Harmful reflections eliminated
By optimising Super Spectra lens coatings and lens element shaping, Canon’s engineers have been effective in suppressing flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
EOS system integration
When used in conjunction with Canon’s range of EX Speedlite flash units and the internal flash of the EOS 350D, EOS 20D and new EOS 30D, the lens passes distance information to the E-TTL II flash algorithm to improve flash exposure metering.
An optional lens hood, made exclusively for the EF-S 17-55mm f/2.8 IS USM, and pouch are available.
In keeping with Canon’s Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.
Specification for Canon EOS Lens 17-55mm f/2.8 EF-S IS USM
| Aperture | f/2.8 |
| Focal Length | 17-55mm |
| Mount Type | EF-S |
| Camera Compatibility | Canon Digital SLRs (Not 1D,1D Mrk II, 1DS or 1DS Mrk II,5D) |
| Lens Adaptor Needed | No |
| Image Stabilisation | Yes |
| Manual Focus | Yes |
| Focusing Range | 0.35m |
| Filter Diameter | 77 mm |
| Weight | 0.645 kg |
| Dimensions | 83.5 x 110.6mm |






